VALTURZE SANG DE FONCÉ

INDEPENDENT & FANDOMLESS VAMPIRE ORIGINAL CHARACTER

TRACKING:
#FRACTURED
PORTRAIT

PLEASE READ THE RULES BEFORE INTERACTING!

MUN & MUSE ARE 18+ MULTI-SHIP & MULTI-VERSE

CHARACTER ORIGINALLY CREATED - SUMMER 2004

ESTABLISHED ON TUMBLR - JULY 15TH, 2014

ALWAYS:

- ACCEPTING PLOTS (HISTORICAL PLOTS IN VAMPIRE VERSE PLEASE!)
- CURIOUS ANONS CURRENTLY

ASKS: 10
DRAFTS: HELLA
THREAD TRACKER:

»

buriedcanvas

Before she could move—before she saw it move—Barbara was on her back. Pinned on her back. Pain crunched between her shoulders; at the base of her hips. She groaned.

And nails—claws—scrabbling at the floor, her hair, her—

“Ah!” She grabbed a handful of the creature’s hair, pulled back its head, but fire blazed across her belly: a spreading gash of red blooming across the front of her shirt, lurid under the electric lights. And the groan twisted in her chest, became panting, a whimper, a sob—“Val. No. Val, no. Don’t. Don’t do this, pl—d—d—”

She pushed, pushed, but the creature was made from bone, from rock. Knees bruising her thighs, fist clenched around her arm. Immovable. Impossible strength—a raw and supernatural power, like… like Diana. Except, not. Not at all. Cold, a cold, cold strength. Clinical. Malevolent.

NO, it whispered. Not Val at all. Something else. Something else. And that thing, thing, looked down at her and lifted a red nail to its mouth.

Barbara felt the lurching response in her own chest, a sweeping wave, as if of nausea—as if her heart was being dragged through her ribs. She opened her mouth again; a shallow, shuddering cry. But she couldn’t… move, she couldn’t do anything. Tears leaked from the corner of her eyes; she couldn’t even turn her head.

The covers stirred on the bed. A low, sleepy voice. “Barbara?”

It was the moment of distraction she needed. She pushed the gun against the creature’s chest. For a second, she looked it in the eye.

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“Don’t, Val. Don’t make me do this.”

She could feel her stomach, slippery with blood. Could feel how it coated that creature’s body as it slid against her, its head hanging over her like a guillotine. Could feel the sense bleeding out of her head.

“I’ll do it. I will. I’ll…”

Her vision fogged. She pressed the gun closer against that spindly breastbone.

“Don’t you realise we care about you?” Blood flecked her lips as she craned her head up, up, towards that ghastly face. “Whatever you are, whatever you think you are, we… I…”

Almost accidentally, her lips touched that cold mouth. Her finger trembled on the trigger.

The air in the small room was thick with emotions that were nauseatingly …. HUMAN. The pleading, the crying, the begging — it filled the space with a uniquely human stink that made the monster gag and churched the ichor in its stomach. This woman, in what was surely her final moments, squirming in a pool of her own blood - was asking for … mercy. She was trying to appeal to someone whodid not e x i s t. 

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 NO — “ was a horrible thing, that word. Raw and bleeding as it fell from gruesome lips. It dripped down the curve of its gore coated chin as a refusal to all that this woman, half formed in the electric blue darkness, was begging for. The monster hummed with the power of that word — two letters, one syllable, it vibrated against dry lips as the woman twisted against its body, as fingers tangled hopelessly in dirty ropes of hair. Wounds wept as fangs caught the cold light of the screens and a pulse caught the beat of a machine suddenly whirring back to life. The creature laughed as human tears fell and black coated talons lifted into the air, casting long, horrible shadows against the fabric that covered the windows, the image warping as the air suddenly shifted in the room, as a great, golden breath filled lungs, as words whispered from between parted lips —

It’s attention snapped like a dry bone, brittle and disoriented eyes strained upwards towards the bed, towards that voice, that heart beat, that opportunity for REDEMPTION

But then there was that other thing - that other problem squirming between the hold of its thighs in a widening pool of her own blood. She THREATENED in a language that was the mewling cries of a creature stuck in a trap

Dark eyes dropped at the cool touch of metal, almost impressed at the threat made real. It pushed itself closer to the muzzle of the weapon, to the kiss of metal that was warmer than its own skin. Motion coiled in arms and legs as one taloned hand pressed itself into the floor and its entire body hunched lower, pushing its body closer to the weapon, more tightly against the warm, blood covered body of the prey that was still speaking, still pleading to a dead woman. The creature’s entire being was vibrating as it prepared to move, to leap towards promise of what was to come, ready dive into the semi - darkness of the room, to find victory, when — lips touched and — the jarring connection, however brief was … soft and warm and —— FAMILIAR.

The gasp that fell from between gore covered lips was almost - HUMAN. The monster collapsed against the other woman as locked elbows quivered and the grip of stone like thighs went weak, its control wavering for a split second - just long enough for another word to form, white hot and desperate, it strained again unused vocal chords as they clenched against the mutiny — Barbara —— dark sclera cleared then if only for a moment in the semi - darkness to a blur of white and the desperate gleam of aubergineshe made eye contact, she saw the terror, the blood - the mistakes made that she had made and cried out in one strangled, stifling sob –

And as quickly as it had come, that moment of clarity, that window out into the carnage of her reality — it was GONE. Val or whatever was left of her, was replaced by a howling face and a blur of white limbs and blood darkened hands, all disgust and rage. 

As it attempted to regain control of its body, the creature tangled itself as in its prey. It was a panicked, an animal caught in a TRAP of its own making, as it tried to free itself – the monster slipped in the combination of blood and floor polish - the motion almost … pitifully … human. Jaws snapped in frustration as talons ripped into flesh and fabric, leaving long gashes in the tiled floor as it refocused its dark eyes towards the bed — on the body that laid there - only half aware of what was happening. 

The creature stumbled over its prey as it tried to control its arms and legs, forcing down that last strangled cry of that insurgent other, murderous purpose focusing its flailing attempts to stand, to FINISH what it had come here to do. Barely finding its feet, the monster cried out as another word cut through its consciousness – a reminder. ‘ Failure ’ muttered in that low, familiar tone ran through its bones and collided against the tender insides of its mind, the monster cried out painfully as it launched itself from the floor — sprang towards the bed —–  failure … must be … punished —-

ofmalice asked —

‘  what’s  a  little  agony  and  mortal  injury  here  and  there  ?  ’ NO I CAN HEAR MIN SAYING THIS PERFECTLY IN MY HEAD AHHHHHHHHHH

The depth of her frown looks as as if it might leave PERMANENT fracture between her dark furrowed brows. For a moment, Val does not move, emotions passing over her pale features like shadows – annoyance, frustration, what was almost amusement at the attempt at a joke. But behind those trivial, fleeting glimpses there was something deeper, shades dark and troubling shades of worry and — fear.

Carefully, Val lowered herself onto the sofa beside Minerva and tucked herself gently against the curve of her body – one pale hand sliding against her open palm, brows still furrowed while her eyes kept themselves downcast, watching the intertwining of fingers. A slow, hesitant SMILE rising to red lips –

…. you are no where near as FUNNY as you think you are … the smile remained before catching on something else, fading slowly as the words formed themselves on those same lips - You … you scared me today, Minerva …

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𝐒𝐩𝐢𝐧𝐧𝐢𝐧𝐠 𝐒𝐥𝐢𝐯𝐞𝐫 ’ 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐬 / 𝐚𝐜𝐜𝐞𝐩𝐭𝐢𝐧𝐠 / @ofmalice

suresaint-moved asked —

‘  the  real  story  isn’t  half  as  pretty  as  the  one  you’ve  heard.  ’ from witcher zel (i accidentally submitted the first one fjfk)

Dark brows rose slowly as a cautious, CURIOUS smile pulled across crimson lips. For a moment, the vampire did not speak, instead - allowing a potent silence to blossom between them, Val tilted her pale chin as words fell carefully from between those same red lips.

You are lucky then. I find PRETTY stories … the most tiresome, her smile shifted, sharpened as aubergine eyes did the same, Would you tell me the truth of it ? GORE and all ? ”

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𝐒𝐩𝐢𝐧𝐧𝐢𝐧𝐠 𝐒𝐥𝐢𝐯𝐞𝐫 ’ 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐬 / 𝐚𝐜𝐜𝐞𝐩𝐭𝐢𝐧𝐠 / @suresaint

sweetestsecrets:

“I want it back, I want it back / What was taken from me, I want it back.”

Chelsea Wolfe, from Hisspun; “Two Spirit,
(via violentwavesofemotion)

sadprosed:

𝑺𝑬𝑵𝑻𝑬𝑵𝑪𝑬  𝑷𝑹𝑶𝑴𝑷𝑻𝑺.

↬   SPINNING  SILVER   (  2018  )  by  naomi  novik. 

sentences  taken  from  the  novel  dialogue  &  narration.

+   feel  free  to  change  pronouns  !

  • ‘  the  real  story  isn’t  half  as  pretty  as  the  one  you’ve  heard.  ’
  • ‘  winter  was  always  long  and  bitter,  and  every  year  was  worse  than  the  one  before.  ’
  • ‘  this  cold  will  break  soon.  it’s  been  so  long  already.  ’
  • ‘  there’s  always  trouble  where  there’s  money  owed,  sooner  or  later.  ’
  • ‘  you  can’t  get  blood  from  a  stone.  ’
  • ‘  i  was  colder  inside  than  out.  ’
  • ‘  i’d  just  been  having  a  dream,  and  it  was  already  fading.  ’
  • ‘  you  can’t  go  in  this  weather.  you’ll  wait  until  it  stops.  ’
  • ‘  will  you  give  them  your  gold  ?  ’
  • ‘  you  aren’t  just  a  pretty  face  !  ’
  • ‘  my  manners  do  not  need  improving.  ’
  • ‘  three  days  you  may  have,  this  time,  before  i  come  to  have  my  own  back  again.  ’
  • ‘  if  you  manage  it,  i  will  make  you  my  queen.  ’
  • ‘  we’ll  leave.  we’ll  go  somewhere  else  far  away.  ’
  • ‘  why  must  you  ask  for  impossibilities  !  ’
  • ‘  why  are  you  staring  so  ?  ’
  • ‘  it’s  not  witchcraft.  ’
  • ‘  you’ve  already  killed  them.  why  can’t  you  leave  them  alone  ?  ’
  • ‘  it’s  not  mine  !  i  have  to  pay  it  back.  ’
  • ‘  my  hand  and  crown  you  shall  win  if  you  succeed.  ’
  • ‘  now  go  home,  mortal  maiden.  ’
  • ‘  you  can  tell  him  i’ve  gone  to  be  married  to  a  rich  man.  ’
  • ‘  think  not  to  escape  from  me.  i  will  come  for  you,  wherever  you’ve  fled.  ’
  • ‘  did  you  think  mortal  roads  could  run  away  from  me,  or  mortal  walls  keep  me  out  ?  ’
  • ‘  you  must  know  i  have  no  magic,  not  really.  ’
  • ‘  a  power  claimed  and  challenged  and  thrice  carried  out  is  true.  ’
  • ‘  there’s  worse  things  in  life  than  to  be  a  queen.  ’
  • ‘  that’s  not  nothing,  to  be  able  to  hold  your  head  up.  ’
  • ‘  my  name  ?  you  think  to  have  my  name  ?  ’  
  • ‘  there  is  indeed  something  most  unusual  in  her.  ’
  • ‘  i  will  come  for  you  soon.  ’
  • ‘  of  course  i  was  going  to  poison  you  !  ’
  • ‘  what  if  i  want  to  stay  forever  ?  ’
  • ‘  is  this  why  you  wanted  her  ?  she’s  a  witch  ?  ’
  • ‘  you  have  one  question  more.  ’
  • ‘  where  do  squirrels  run  to,  when  they  want  to  hide  ?  ’
  • ‘  my  pleasure  would  last  only  until  they  stabbed  me  right  alongside  you.  ’
  • ‘  you’re  no  worse  off  than  you  are  now,  if  i’m  lying.  ’
  • ‘  it  seems  you  must  ask  my  aid,  and  hope  that  i  don’t  refuse  it.   ’
  • ‘  it  is  snowing  again.  ’
  • ‘  you  shouldn’t  even  try  to  make  bargains  with  such  a  creature.  ’
  • ‘  do  you  really  think  i  wanted  to  marry  you  ?  ’
  • ‘   high  magic  never  comes  without  a  price.  ’
  • ‘  at  least  your  hair  is  handsome.  ’
  • ’  i  am  not  covering  anything  !  ’
  • ‘  my  court  is  full  of  fools.  no  one  here  is  loyal  five  minutes  past  their  own  interest.  ’
  • ‘  he  has  locked  them  away  beneath  the  snow.  ’
  • ‘  don’t  just  bleat  whatever  it  is  you  think  i  want  to  hear.  ’
  • ‘  have  you  anything  else  to  wear  ?  ’
  • ‘  you  hold  my  chains,  but  i  owe  you  no  surrender.  ’
  • ‘  what’s  a  little  agony  and  mortal  injury  here  and  there  ?  ’
  • ‘  very  well.  free  me,  and  i  will  promise.  ’
  • ‘  at  least  weep  for  me  once,  and  give  me  a  measure  of  pain.  ’
  • ‘  whatever  it  is,   i  will  venture  it,   if  you  will  give  me  hope.  ’

M